TW: sexual abuse, rape, graphic mature scenes and violence, suicide, depression, alcoholism, substance abuse, parental neglect, domestic cheating El estilo inquietante y turbador de las ilustraciones de Junji Ito, aunque aquí parece algo más controlado y realista, es en el fondo el de siempre; convierte al protagonista de la novela de Dazai, Yozo Oba, en un artist manga también, y de alguna forma Junji Ito se implica de la misma forma en que lo hizo Dazai en su novela: obras semiautobiográficas donde los autores se retratan si mismos y se se desnudan emocionalmente.

After a conversation with a GR friend, I decided to read this Junji Ito's adaptation, though I really am not a fan of Dazai Osamu's writing! He inadvertently(?) caused the demise of a few people, whose ghosts haunt him at the most inopportune times. It seemed like death and the love of women came to him easily, like a song that broke the monotonous buzz of despair and dread that continually consumed him. With such a fair face, he can't help being a lady's man. It may have served his women better if they took a more critical peek at his art, if only to see the demons he was harboring within. This is one of the exceedingly few works I've read that deal with a Grade A homme fatal.

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Born in Gifu Prefecture in 1963, he was inspired from a young age by his older sister's drawing and Kazuo Umezu's comics and thus took an interest in drawing horror comics himself. Nevertheless, upon graduation he trained as a dental technician, and until the early 1990s he juggled his dental career with his increasingly successful hobby — even after being selected as the winner of the prestigious Umezu prize for horror manga. The latter part was different from the novel with the appearance of Dazai as a character, I think its unique. It gave me sadness as i read this part, i was emotional because of it. Junji Ito has created quite the impressive and haunting visual feat with his massive manga adaptation of No Longer Human, Osamu Dazai’s fairly autobiographical novel about the dark impulses that lurk within us. Known for his horror manga-ka artwork,Junji Ito is the perfect artist to helm such a work of darkly introspective intensity, transforming Dazai’s prose of searing anxiety into visceral, surreal and hallucinogenic visual storytelling. At over 600pgs long, this is quite the dense and emotionally arresting work but Ito’s signature art and the seamless storytelling propel the book along as you feel yourself pulled deeper into the unraveling mind of Oba Yozo, the fictional narrator of Dazai’s story who draws much inspiration from the author himself. While Ito has taken a few liberties with the plot, this manga adaptation remains largely faithful to Dazai’s original and explores darkness, guilt and self-degradation in a viscerally chilling new angle through Ito’s incredible artwork. I usually write much more about the formal qualities of comics, but I found myself unable to avoid the problematic content of this manga. And then, I was unable to avoid thinking about how much of the content was Dazai's and how much was Ito's. It feels like Ito, by bringing in his horror tropes, amplified what was already problematic, taking the subtler elements and making them all too obvious.

Then the cousins both fall in love with Oba and sleep with him. The younger one goes crazy upon seeing Oba with the older one (and you know someone has gone crazy in this manga because their face is draw in closeup with their often bloodshot eyes opened wide, their upper face is stroked with hatching), murders the older one, and then has Oba's baby. He later reconnects with that cousin in the mental hospital, where she is still crazy, but he goes to live with her and her son, who is drawn to look like Takeichi. His longest work, the three-volume Uzumaki, is about a town's obsession with spirals: people become variously fascinated with, terrified of, and consumed by the countless occurrences of the spiral in nature. Apart from the ghastly, convincingly-drawn deaths, the book projects an effective atmosphere of creeping fear as the town's inhabitants become less and less human, and more and more bizarre things begin to happen. Tantimedh, Ali (December 10, 2019). "Review: Junji Ito Adapts "No Longer Human" into a Masterpiece of Existential Horror". Bleeding Cool. Archived from the original on December 24, 2021 . Retrieved December 25, 2021.

a b c d "No Longer Human". Viz Media. Archived from the original on September 6, 2021 . Retrieved December 25, 2021. no longer human till this day resonated with so many people. its a story that exposed the weakness, self destruction, honesty to the point it hurts, no rationalization for all bad decision and actions and somehow we empathize with the character.

An unpleasant and unappealing semi-autobiographical iteration of the artist as a tortured soul is adapted into a quasi-horror manga by Junji Ito filled with dread and supernatural flourishes. I haven't read the original novel, but my understanding is that Ito has taken many liberties, including the insertion of original author Osamu Dazai as an actual character. This was my first experience with Osamu Dazai's novel No Longer Human, which has been considered his suicide note and which is, at least in this form, a haunting and painful tale of, well, lots of things, but perhaps mostly misery and the ways in which our own misery leads us to inflict misery on others.This graphic novel is a departure from Ito's trademark narratives, interpreting as it does a Dazai classic that stands as one of the best-ever selling books in Japan. While the original seems to have focused on the sadness and pathos that marked the existential crisis that our lead (who seems to have been patterned after Dazai himself) labored under, true to Ito's style this book lets the horrors and absurdities of his experiences take the limelight. Written and illustrated by Junji Ito, the series began serialization in Big Comic Original on May 2, 2017. [2] The series completed its serialization on April 20, 2018. [3] Shogakukan collected the series' individual chapters into three tankōbon volumes. [4] In this version, Yōzō meets Osamu Dazai himself during an asylum recovery, thus giving him permission to tell his story in his next book. The manga includes a retelling of Dazai's suicide from Ōba's perspective. Junji Ito lleva a su terreno la obra de Osamu Dazai, le da forma, la desarrolla e incluso añade elementos nuevos, como es usar al mismo Osamu Dazai como un personaje más. El mundo de pesadilla que normalmente desarrolla Junji Ito en sus ilustraciones a través del estado mental de sus personajes, está aquí perfectamente reflejado y de alguna forma y aunque sea una adaptación libre, es muy fiel a la obra de Dazai.