This assault happened Saturday in a Central Fresno field. The video was posted just a short time later. It has since been removed from Facebook and is now in the hands of investigators. The star of the show then proceeds to strip to her underwear, sliding off her skirt and blouse with a little help from her female accomplice. The eight-minute video, entitled Sexy Two Air Hostesses in Uniform has no words just music, but has been viewed more than 115,000 times on YouTube. Holiday reps are supposed to chaperone kids on organised bar crawls, but when their shift ends at 2am they often abandon them. I’ve seen reps leave drunk kids in the gutter.

I also love the way Sebastián chose to shoot it. It was storyboarded. All the wetness, the spitting in the mouth, the pubic hair, the vaginas, but also leaving some of it to the audience to imagine. Where is the other woman’s mouth, where are her fingers? It was important for him to focus on our faces to really capture that desire. There’s something very spiritual about their sex. I’m really proud of it." It's been four years since Alaina was raped and she still has no plans to pursue formal charges against her rapist. She says, unflinchingly, that she has moved on in other ways: She's chosen to change her name, and has moved to a new city where she has pursued a successful freelance writing career, often writing about sexual assault within the LGBTQ community. Staff fired paint from a bazooka-like gun and hurled the yellow, pink and blue liquid at the crowd from pots. Most of the paint-sodden crowd were Brits aged from about 18 to 23. These gender norms can directly contribute to distrust of a victim's claims, says Lisa Langenderfer-Magruder, co-author of a recent study of LGBTQ intimate partner violencein Colorado. "When someone is confronted with a situation that doesn't quite fit that major narrative, they may question its validity," she says. All of this amounts to a culture in which most research on partner violence focuses on heterosexual relationships. "So, in some ways, we're playing catch up."Sarah is not an outlier. "Many of our clients in same-sex relationships are very hesitant to report at all," says Caitlin Kauffman, campus and community outreach coordinator for Bay Area Women Against Rape (BAWAR)—where Sarah eventually sought counseling. The consequences of coming forward with sexual assault allegations are fraught for any sexual violence survivor. But for queer women, who already typically live, date, and make friends within a smaller network of other queer-identified women, the risks can be even more complex. When female victims of female assaults do pursue legal action, gender bias can severely hinder their ability to accurately report sexual violence. "Oftentimes, women in abusive same-sex relationships tell us that even when they do call the police, they are treated dismissively," recounts Kauffman. "'Women aren't violent.' 'This is just a girl fight, this is a waste of our time,' is a common attitude." According to the 2015 report by the National Coalition of Anti-Violence Programs, of LGBTQ individuals in Ohio who did report intimate partner violence, 21 percent experienced "indifferent" reactions from police. Another 28 percent experienced hostility. One onlooker said: “She seemed very ­intimidated.” The man later persuaded the woman to remove his shorts before he ended up naked as the DJ cried “off, off, off” while Donna Summer’s Hot Stuff blared from the speakers.

I’ve been involved in fights between rival drug gangs and also dealers and tourists unhappy at being sold rubbish. When it goes off in Magaluf, it can be very nasty.” Most Read Ever since Director Sebastián Lelio's Disobedience premiered at TIFF in 2017, it's been the talk of the town among the five queer women who care about this kind of stuff. The film tells story of Orthodox Jewish lesbians in London: Esti (Rachel McAdams) caught in a loveless relationship with a Rabbi, and Ronit (Rachel Weisz) trapped in a series of meaningless heterosexual hookups. After falling hard for the gathering’s vibe, Weinraub wrangled a gig as the club’s visual chronicler, initially taking stills, then switching to video. Her access gave the director the best kind of participant-observer vantage,one that delivers vérité rawness accompanied by a savvy, tender affection for Shakedown’s denizens: its dancers, its studs, its patrons.Dyer says even the victim is offering little help right now. "When people go through that kind of situation, they're not as likely to provide as much information as we'd like," he said. "But that's normal somebody that's been victimized to that degree. So we're continuing to work with her." The woman, who appeared drunk and embarrassed, covered her breasts as the reveller began simulating sex acts while leering at the crowd for approval. Friend groups can become divided and the survivor may fear losing her only LGBTQ support network," Kauffman says. "This can be especially challenging for survivors who live in areas where the community is small or there is a more hostile climate towards LGBTQ people." Shakedown pulled up stakes in July 2004. The club where it was housed at the time just wasn’t working out any longer. It bounced around some, but hopes of a space to call its own never materialized. There’s little wonder then that the doc ends with a mix of the melancholy and the triumphal, the mournful and the boastful. The filmmaker makes very few on-screen appearances. More often she remains a casually probing interviewer or a gentle guide encouraging a star dancer to read old promotional flyers or the concluding voiceover narration.